Showing posts with label paradox. Show all posts
Showing posts with label paradox. Show all posts

Thursday, November 08, 2012

How's that "more perfect union" working out?

His high praise of Obama notwithstanding, Adam Gopnik thinks the president is kind of bullshitting us (and himself, perhaps) with his renewed declaration of national unity:
his political intelligence is so keen that he knows when unreality best serves his ends. Political intelligence is as distinct and intuitive a gift as any of the other kinds of intelligence—the situational intelligence of the athlete or the analytic intelligence of the intellectual—and a large component of political intelligence lies in being faithful to your own fictions. The new Spielberg-Kushner-Lewis movie, “Lincoln,” reminds us (or will, once widely released) that Lincoln’s entire conduct in office during the war was based on the fiction that the secession had never happened—that the South was not a rebellious nation but, rather, a bunch of outlaws running around in gang regalia. What you could see had just happened—a bunch of states becoming an alien nation—had not. This fiction of continuity, of an indissoluble union in the face of its rather evident dissolution, was essential to Lincoln’s case and to his credo.

To this list of—what shall we call them?—higher liars (sounds harsh, though it conveys something of the idea) most other great politicians might be added. F.D.R., with his assertion that fear was all there was to fear when there was so much real stuff to be frightened of; and Reagan, for that matter, with his many repeated myths and mantras. By now Obama must know the virtues of fighting and the limits of the invocation of unity, but he knows, too, that a cool man who does not cherish his own warmest rhetoric becomes a mere hot-air artist. If that knowledge can make him seem at times naïve, or even willfully perverse—well, after all, he’s the one who’s the phenomenon, not you.
Stimulating, methinks, but not the whole story. No doubt, Obama's "not just red states and blue states" mantra puts forward a national image that's highly, shall we say, idealized -- that is, part bullshit. But only partly, because Obama lays the real beside the ideal, embracing disunity within unity -- as in his victory speech last night:

Saturday, November 28, 2009

If Winnie met Yogi....

A sampling of two great minds that think rather similarly:
  1. Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.
  2. It ain't over till it's over.
  3. Democracy is the worst form of government except all those other forms that have been tried from time to time.
  4. It's so crowded, nobody goes there.
  5. It’s not enough that we do our best; sometimes we have to do what’s required.
  6. If you can't imitate him, don't copy him.

Nos. 1, 3 and 5 above are Winston Churchill; 2, 4 and 6 are Yogi Berra. Churchill, a scion of English aristocracy unhappily educated in British boarding schools, uses paradox with all the self-conscious deployment of Latin figures of speech that one would expect from a verbally gifted mind trained in that system -- though he considered the famous Latin orators overrated, insisted, "broadly speaking, short words are best, and the old words, when short, are best of all," and recalled proudly, " I got into my bones the essential structure of the ordinary British sentence, which is a noble thing."  Berra, a son of Italian immigrants who grew up in a poor section of Depression-era  St. Louis, left school after eighth grade and recalled late in life that he wasn't a good student because, "You see, I break up the English a little bit. I don't mean to do it, but it just comes out that way."

Churchill deliberately teases paradox out of counterintuitive observations that invert words' conventional connotations. Democracy seems "worst" because  its messy decision-making process is out on display; only reflection and experience reveal that more secretive and unaccountable systems produce worse follies. A motive imposed by external necessity pulls more out of us than our most earnest internally motivated striving.

Berra inadvertently uses one word or close synonyms to cover two meanings that he doesn't explicitly distinguish. The game is never effectively over  until it's literally over.  The restaurant is so crowded [with tourists, yahoos, late adopters] that nobody [cognoscenti, insiders, celebrities] goes there. 

Churchill's paradoxes call attention to themselves and their careful construction; Berra's sound as inadvertent as they are. But Berra's are none the less subtle or coherent for that.